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Both accounts run 10.0.7 and I know for sure I hadn't customised Logics' prefs in the former account. #Audio overload side by side update#I'm not online so there has been no software update when I made this new account. and that's just what I have discovered so far. #Audio overload side by side windows#In all windows I no longer get the button to define what my rightclick tool will be, only one for the leftclick. At the top I no longer get the "new track with duplicate settings" button, only normal duplicate. In Arrangement window, the Mute buttons suddenly have a speaker symbol on them. ![]() That sounds like good advice, so I made a new account just for logic and it actually.made a difference ! BUT, now inexplicably lots of things have changed changed in the software, such as I dont get the option to BIP when I rightclick on a region, nor can I do it through the file menu. Because, now you understand – and, are planning – just how and where the sounds are actually going to go, and what is being done to them at each stage. However, I also think that it helps the sounds begin to sit-together better, and makes the whole thing easier to adjust. Of course, when you begin to do this, you effectively remove the ability to "add and remove library patches at will," so you should only consider doing this when you're beginning to zero-in on the final sound that you want. With a little bit of creative "re-wiring," you can clean up the signal flows so that they make a lot more sense, and consume less resources. You might discover that turning- off a particular effect makes no discernible difference to the sound. Look around, and you suddenly notice that you've got half-a-dozen copies of the same "room." (Instead of "six string-players sitting together in one room," it's like you've got "six isolated string-players each sitting in their own copy of the same room.") Also, play with the knobs and switches. For instance, an instrument might consist of two or three strips, with "sends" from one to another, and goodies like "rooms" on each one. This can lead to a lot of redundancy between them, which translates to more CPU and memory load. #Audio overload side by side Patch#A library patch is designed to sound good by itself. If you're using "library patches," then you should know that Logic is designed to make those patches easy to add, change, and remove without messing-up other patches. It is very obvious that Logic's designers anticipated that this feature would be used a lot, and they made it very easy to do.Īnother thing to watch out for is just how the signal routing is set up on the Mixer panel. You can "re-BIP it" as often as you like. It only takes a few seconds, and system resource usage will decline dramatically. Do this for all the tracks as you become satisfied (for the moment) with how they sound. Once you've got a particular track "down pat," BIP it. #Audio overload side by side free#When calculating the track's contents, Logic doesn't have to worry about other tracks, and it is now free to take "more than one second" to calculate "one second's worth of music." (The "in real time" requirement is the actual cause of "system overload." BIP can take all the time it wants.) (It's placed just above the original track, which is muted.) It takes very little system resources to play back an audio track. The contents of a particular track are computed – " not in real time" – and replaced with an audio-track equivalent. but there is "something you can do about it," and that "something" is: Bounce-In-Place (BIP). So my question is: is there any way I can maximise my current setup's performance, or set some preference options in Logic or the project's settings to stop me from jumping off a bridge ? Please help I'm lost for what to do, as I cannot finish any project this way. ![]() My machine: 4-Core 2009 MacPro, 2.1Ghz, 12 Gb ram, OsX 10.11- so it well exceeds minimum requirements. But in order to finish, I need to add a few more fx and tracks, not less. All the tracks don't even have activity at the same time. ![]() The instrument channel-strips have between 3-6 fx/ signal processors each, no more same for the Aux channels. The latest project to be affected is really not too large for what I imagine many of you are used to.: 16 midi channels running instruments that shipped with Logic, no audio channels at all, and only two Aux effect channels. Logic will continue to work after the first Sys warning, but extremely sluggishly, with static level meters, slow responsive sliders/buttons etc a total nightmare and it's kills any energy I had for what are time consuming and complicated tracks (I'm not a professional). I have been using LogicX for two years ( and it always runs great) but sometimes have a major problem, namely System Overloads just when a projected is really shaping up. ![]()
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